So one of the things I discovered in 2016 is that working in marketing for a camera company, while an awesome and fun experience, actually leaves much less time for photography than I thought.
The other thing I found out was that it is incredibly hard to maintain multiple social media identities – something I always advised my students against doing, but seemed to be doing myself anyway.
So as not to bury the lede, as journalists say, I’ll get the big announcement out of the way – if you’ve known me as Journographica on Instagram and Twitter, you won’t anymore. I’ve switched all those accounts to the existing PicGuide account that I also own. So you’ll see a new name on Instagram and Twitter, but the same familiar person behind those tweets and pictures.
Christmas trees provide some of the best opportunities to have a little fun with lighting. That’s why it’s one of my favorite times of the year to take pictures.There are a few things that you can do to help improve the odds of getting a better picture when photographing the magic of Christmas lights.
In teaching multimedia classes in journalism and communications schools, one of the most frequently asked questions I get in every workshop or class I teach is “What camera should I buy?”
If you’re a student new to the multimedia world, the range of options can be intimidating. Do I get a camcorder? Do I get a Cinema camera? What’s this DSLR thing? (Hint, it’s a Digital Single Lens Reflex camera, I’m going to put that on the quiz)
You can read a million buying guides on the Internet and you’ll still be completely lost – but that’s because most general photography guides won’t apply to you – you’re not the general photographer. Communications students and journalists have specific needs in their industry. Any camera – really any interchangeable lens camera on the market today will take a good picture. Grandma and Grandpa will probably be very happy with the Costco special. But when you try to plug a microphone into that camera and find that you can’t, how are you going to record a video interview? Continue reading “Buying a camera for the student journalist”
While I can’t take credit for the genesis of this technique (shoutout to Laya Gerlock and his “El Bokeh Wall” writeup in PetaPixel) I did take it and apply it to an engagement ring and took the whole thing out of the studio. The basic thrust of the technique here is that by using a wide aperture lens, a crumpled tin-foil background and some lighting, you can get some interesting results.
Here are some tips on how I made that happen and where I diverged from Laya’s technique just a bit.
Tip #1: Consider LED lighting
At first, I hit the foil and the ring with two separate Canon Speedlite 600EX-RT flashes. In the example from PetaPixel, it worked pretty well given the black walls of the studio and the light modifiers available to the photographer. Not so much in my brother’s kitchen, where the walls and reflective surfaces of the foil and the marble countertop spilled light everywhere, even at the lowest power on the flash. Too much power for what I was doing. Continue reading “Three tips, better shot: Jewelry and “El Bokeh Wall””
While I’m at it, I have to give a shoutout to one of the best food photographers I know, Daniel Brennan. You seriously need to go check out his stuff, which is definitely more than iPhone food photography:
And if the phone-photography thing is your thing, you should see how far another friend of mine takes the craft on Instagram through her handle, @kmlpeterson. When we met earlier this year, I swore she had been using some high end gear to do all those beautiful food photos, but – surprise – it was an Android phone all along.
Hope that’s some Tuesday morning inspiration to go make some nice food photos. Or just eat.
So if you’re a regular viewer of Mazda USA’s Instagram page, you may have noticed the featured image on this post pop up in your feed (and I’m sure the chance of you being a regular viewer of that and this page are slim). That’s my shot from a trip to the Valley of Fire near Las Vegas, NV, and yes, Mazda asked before using it. I’m using this as a good excuse to kick-start this blog again, so here goes the three tips on how I got that shot. Continue reading “Three tips, better shot: That time Mazda USA picked up my picture”
When I’m out and about, I don’t like to carry around more than a lens or two – this means that sometimes I run into a scene I can’t fit into one shot.
For instance, the 24mm lens I had the day I went to check out the in-progress Freedom Tower in the featured photo of this post was not wide enough to capture the whole thing. And this is the sort of thing that warrants getting the whole picture.
Now many cameras will allow you to do a panoramic in-camera (oddly, my phone allows me to do this, but none of my bulkier DSLR cameras do). But even still, a panoramic won’t work in every situation. This was not a straight up or down, left or right panoramic. This called for a careful stitch of six photos, two columns of three.
Not the usual type of post, but this video was too interesting not to share – The Camera Store TV a fantastic YouTube channel for photography news and information, has started a series called “Unsung Cameras of Yesteryear” featuring old cameras. This episode features a Kodak NC2000e, a camera that for many news organizations heralded the coming of digital photography. As a bonus, Chris Niccolls, the host of the show, has a long conversation with the amazing Rob Galbraith, a former photojournalist for the Calgary Herald and now a photojournalism instructor.
Whether you have only participated in photojournalism only in the digital age (like me) or are an old war dog who has seen the transition from film to digital, there’s so much fascinating information here. Check it out: